KitPlus | Articles

Why Elevated Metadata is the Foundation of the AI-Powered...

Eric Carson, EVP Strategic Growth at Vubiquity, a global leader in software and services for communications and media companies, is sharing his thoughts regarding why he believes that elevated metadata is the foundation of the AI-powered media supply chain. Metadata is fundamental to creating an exceptional viewer experience, but for all that c...

Submitted by Jenni

Published 13 May 2024

The Art of Implementing Responsible and Effective GenAI a...

Raman Abrol CEO of Vubiquity and General Manager for Amdocs Media, a global leader in software and services for communications and media companies, is sharing his thoughts regarding the art of implementing responsible and effective GenAI and automation across media supply chains. Generative Artificial Intelligence (GenAI), the modern elixir of...

Submitted by Jenni

Published 10 April 2024

Magine Pro and Appear partner to transform and optimize S...

Appear, the global leader in media processing and delivery technology, and Magine Pro, the platform for B2B managed services for OTT, have been chosen by Sappa to transform its OTT linear distribution media workflow to include fully on-premise transcoding. Sappa has migrated its existing cloud-based workflow to Appear’s NEO20 on-premise live transc...

Submitted by Katya Pristiyanti

Published 17 April 2023

Complex Live Streaming At Scale

On Saturday September 14th in the Content Everywhere Hub Theater at IBC, Zixi hosted a panel featuring partners and customers who have integrated with and utilized the Emmy-winning Zixi software for contribution and distribution of live video over managed and un-managed internet connections. Panelists included: David Griggs, Senior Product Manager,...

Submitted by KitPlus

Published 03 November 2019

What is the JT-NM Tested Program

The National Association of Broadcasters (NAB) Show 2019 has come and gone with the usual onslaught of product announcements, launch parties, demonstrations and the usual high-density crowds preventing any high-speed movement between halls. The IP showcase, this year, featured a JT-NM tested program. If you're unfamiliar with the JT-NM, then it's w...

Submitted by Bruce Devlin - new

Published 04 June 2019

The Latest Trend in Cloud Ingest Portals

The unique demands of the media industry have created an equally unique ecosystem. With high-resolution video constantly moving over the Internet during production, post production, and multi-device, multi-channel distribution, as well as the need for flexible storage and security at every stage — all under impossibly tight timelines — there isn’t...

Submitted by Megan Cater

Published 04 June 2019

IP Based Remote Production

i Over the last few years Suitcase TV has been getting involved in remote production at the software layer, and I want to talk about some of the ways we have been getting involved in remote production, including a specific trial that we did last year with BBC Sport for the Euro 2016 tournament in Paris. Before I get into the detail of remote produc...

Submitted by Ed Calverley

Published 07 September 2017

The challenges of media workflow automation

i The media workflow challenge has never been more complex, and it\'s growing. In response exploding consumer demand for high-quality, engaging programming, media operations are under the gun to create content and deliver it to an ever-growing range of platforms and devices. Managing video assets - that is finding them, accessing them, and using th...

Submitted by Dave Clark

Published 07 September 2017

The future of timing and timecode

It is SMPTE\'s 100th anniversary! I hope that all readers have had a chance to view the Centennial Video (https://www.youtube.com/watch?v=jN2yYrEFMFQ) and to contemplate that 100 years ago we were in the dawn of the cinema era, where different equipment used different frame rates, different sprocket sizes, different frame sizes and the concept of d...

Submitted by Bruce Devlin

Published 24 August 2016

Meeting the Challenges of Media Assett Management

It's been 20 years since Microsoft founder Bill Gates uttered the words "content is king,\" and never has that statement been more true in media production environments. And yet, ask producers in any high-pressure broadcast operation to name their biggest challenges, and you can bet that managing video assets - finding them, accessing them, and usi...

Submitted by Dave Clack

Published 14 June 2016

Media Asset Data Models in MAM Systems An Evolutionary V...

by Kevin Savina Issue 109 - January 2016 As I was working on a presentation I gave on the data models MAM systems are built upon, I realized that looking at the evolution of these data models was a nice way of explaining them. It only made sense to share it with a wider audience. By illustrating how media assets are tracked and catalogued within a...

Submitted by Kevin Savina

Published 21 January 2016

Effective archive solutions for broadcast customers

by Lee Sheppard Issue 109 - January 2016 The long-standing partnership between Grass Valley, a Belden Brand, and SGL is key to the effectiveness of the content archive solutions that SGL FlashNet provides for all Grass Valley users. Today, the product integration between the two companies extends not only to the K2 SAN and K2 Summit production and...

Submitted by Lee Sheppard

Published 21 January 2016

UHD: a long road travelled

by Julian Fernandez Issue 103 - July 2015 Theres no denying it, Ultra HD (UHD) is impressive and the clarity of image is captivating, but its going to take a while for UHD to become mainstream in the home. A fairly expensive large screen TV is a must to get the best picture quality and since the majority of the world isnt yet watching television in...

Submitted by Julian Fernandez

Published 01 August 2015

Why fast production storage is just not enough

by Martin Bennett Issue 102 - June 2015 UHD, 4k, 6k, 8k¦the proliferation of high-resolution formats and files along with the growing number of skillsets that can collaborate on projects push storage bandwidth and capacities beyond their limits. If we just take a look at the potential storage requirements for a single 8K raw digital cinema format t...

Submitted by Martin Bennett

Published 01 July 2015

Venice live productions tools go to the consumer

by Tim Felstead Issue 98 - February 2015 The objective of most studio production is to cost effectively create live or as live television to which audiences will be drawn. During the process of creation, recording into media servers can either be a separate process used only for immediate replay, or can be part of a media workflow serving multiple...

Submitted by Tim Felstead

Published 01 March 2015